Hello and welcome to your exclusive preview of Tracey Emin’s suite of eight new lithographs 'These Feelings Were True'.

Crying – Shouting – Screaming – Was Not going to help me Live (2021)
Crying – Shouting – Screaming – Was Not going to help me Live (2021)
Tracey Emin

Crying – Shouting – Screaming – Was Not going to help me Live (2021)

Edition of 50
2 colour lithographs on Somerset Velvet Warm White 400gsm. Produced by Counter Studio, Margate.
94 x 74 cm (37 1/2 x 29 1/2 in)
Signed, numbered and dated by the artist
$12,000
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Counter Editions is pleased to announce a new series of ten self-portraits by Tracey Emin. These extraordinary, intimate explorations of the self were recently created by Tracey in our Margate studio. 

'Crying – Shouting – Screaming – Was Not going to help me Live' is part of a series of 10 portraits made exclusivley for Counter Editions to coincide with 'A Journey To Death' a comprehensive solo exhibition of new prints, large-scale monotypes and bronze sculptures by Tracey Emin at Carl Freedman Gallery, Margate, (24 April – 19 June 2022).

Available as part of a set or individually. View suite of 10 portraits here

Always at the centre of her own world, Tracey Emin uses all aspects of her life in her art, turning intimate autobiography into broader statements about love, death, sex, freedom and everyday life. Her work has taken the form of diaristic drawings, paintings, films, sculptures and written stories, all of which convey the same combination of frustration, pain, compassion and wit. Drawing and printmaking have remained key mediums for Emin, and over the last ten years she has produced a steady output of monotype prints direct from her drawings.

Tracey Emin was born in 1963 in London. She shares her time between the South of France, London and Margate.

Emin has exhibited extensively including solo exhibitions at Château La Coste, Aix-en-Provence, France (2017); Leopold Museum, Vienna (2015); Museum of Contemporary Art, Miami (2013); Museo de Arte Latinoamericano de Buenos Aires (2012); Turner Contemporary, Margate, UK (2012); Hayward Gallery, London (2011); Kunstmuseum Bern (2009); Scottish National Gallery of Modern Art, Edinburgh (2008); Centro de Arte Contemporáneo, Malaga, Spain (2008); Art Gallery of New South Wales, Sydney (2003); and Stedelijk Museum, Amsterdam (2002). In 2007 Emin represented Great Britain at the 52nd Venice Biennale and her installation My Bed has been included in ‘In Focus’ displays at Tate Britain with Francis Bacon (2015), Tate Liverpool with William Blake and also at Turner Contemporary, Margate alongside JMW Turner (2017). In 2011, Emin was appointed Professor of Drawing at the Royal Academy of Arts, London, and in 2012 was made Commander of the Most Excellent Order of the British Empire for her contributions to the visual arts.