Hannah Quinlan and Rosie Hastings, <i>The Strike </i>(2023) 22 colour screenprint. Edition of 75
Hannah Quinlan and Rosie Hastings, The Strike (2023) 22 colour screenprint. Edition of 75
Hannah Quinlan and Rosie Hastings, <i>The Strike </i>(2023) 22 colour screenprint. Edition of 75 Detail of <i>The Strike </i>(2023) Detail of <i>The Strike </i>(2023) Detail of <i>The Strike </i>(2023)
Hannah Quinlan and Rosie Hastings

The Strike (2023)

Edition of 75
22 colour screenprint on Somerset Tub Sized Satin Radiant White 410gsm. Produced by Counter Studio, Margate.
76 x 60 cm (29.9 x 23.6 in)
Signed and dated by the artist on the reverse

A third of profits from the sale of each print will benefit the ICA.
$1,100
Delivery & Returns

Standard UK (3-5 days): FREE

EU (3-5 days): typically £30 - £50

US (3-5 days): typically £60 - £75

Shipping rate will be calculated at the checkout once you have entered your shipping address.

We use UPS to ship your order. This is a fully trackable secure service which requires a signature on delivery.

Prints will be flat packed in our specially designed packaging.

Share with a friend

Use the form below to send your friend(s) a personal message and a link to this item

* All form fields with asterisks are mandatory

Hannah Quinlan and Rosie Hastings, along with seven other leading international artists, were asked to create a print to celebrate the ICA's 75th anniversary. A third of the profits from the sale of each print will be benefit the ICA's programme.

Available individually or as part of a boxset. View boxset here.

The Strike (2023) was made in response to the UK’s ongoing nurses’ strike and highlights the massive scale of the modern workers’ movement, while bringing in the disjointedness and the complexity of the discourse surrounding it. Like Italian frescoes of the Renaissance, Quinlan and Hastings' works are loaded with visual symbolism that both tells a story and sends a moral message.

Hannah Quinlan and Rosie Hastings (b. 1991, Newcastle/London)

⁠Hannah Quinlan and Rosie Hastings use the traditional medium of fresco painting to depict street scenes showing groups of people portraying various power dynamics, class and social relations and positions of authority. Their collaborative work is linked to their ongoing research and exploration into the relationship between public space, architecture, state infrastructure, gender and sexual identity, asking viewers to question what public space looks like.⁠