Hello and welcome to your exclusive preview of Tracey Emin’s suite of eight new lithographs 'These Feelings Were True'.

Tracey Emin, Curled Up (2022)
Tracey Emin, Curled Up (2022) Signed and numbered by the artist Titled by the artist Install image of Greenpeace 50 Years Print Portfolio (2022)
Tracey Emin

Curled Up (2022)

Edition of 100
2 colour lithographs on Somerset Velvet Warm White 400gsm. Produced by Counter Studio, Margate.
60 x 76 cm (23.6 x 29.9 in)
Signed, titled and numbered by the artist

A third of profits from the sale of each print will be donated to Greenpeace.
$6,700

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Tracey Emin, along with seven other leading international artists, were asked to create a print to celebrate Greenpeace's 50th anniversary. A third of the profits from the sale of each print will be donated to Greenpeace.

Available individually or as part of a boxset. View individual editions here. View boxset here.

‘Curled Up’ (2022) is one of Tracey Emin’s latest limited edition series of prints created uniquely for Greenpeace 50 Years at Counter Studios, Margate.

Always at the centre of her own world, Tracey Emin uses all aspects of her life in her art, turning intimate autobiography into broader statements about love, death, sex, freedom and everyday life. Her work has taken the form of diaristic drawings, paintings, films, sculptures and written stories, all of which convey the same combination of frustration, pain, compassion and wit. Drawing and printmaking have remained key mediums for Emin, and over the last ten years she has produced a steady output of monotype prints direct from her drawings.

Tracey Emin was born in 1963 in London. She shares her time between the South of France, London and Margate.

Emin has exhibited extensively including solo exhibitions at Château La Coste, Aix-en-Provence, France (2017); Leopold Museum, Vienna (2015); Museum of Contemporary Art, Miami (2013); Museo de Arte Latinoamericano de Buenos Aires (2012); Turner Contemporary, Margate, UK (2012); Hayward Gallery, London (2011); Kunstmuseum Bern (2009); Scottish National Gallery of Modern Art, Edinburgh (2008); Centro de Arte Contemporáneo, Malaga, Spain (2008); Art Gallery of New South Wales, Sydney (2003); and Stedelijk Museum, Amsterdam (2002). In 2007 Emin represented Great Britain at the 52nd Venice Biennale and her installation My Bed has been included in ‘In Focus’ displays at Tate Britain with Francis Bacon (2015), Tate Liverpool with William Blake and also at Turner Contemporary, Margate alongside JMW Turner (2017). In 2011, Emin was appointed Professor of Drawing at the Royal Academy of Arts, London, and in 2012 was made Commander of the Most Excellent Order of the British Empire for her contributions to the visual arts.