A Journey To Death - Set of 10 Lithographs (2022)
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Counter Editions is pleased to announce a new series of ten self-portraits by Tracey Emin. These extraordinary, intimate explorations of the self were recently created by Tracey in our Margate studio.
This series of portraits were made exclusivley for Counter Editions to coincide with 'A Journey To Death' a comprehensive solo exhibition of new prints, large-scale monotypes and bronze sculptures by Tracey Emin at Carl Freedman Gallery, Margate, (24 April – 19 June 2022).
Always at the centre of her own world, Tracey Emin uses all aspects of her life in her art, turning intimate autobiography into broader statements about love, death, sex, freedom and everyday life. Her work has taken the form of diaristic drawings, paintings, films, sculptures and written stories, all of which convey the same combination of frustration, pain, compassion and wit. Drawing and printmaking have remained key mediums for Emin, and over the last ten years she has produced a steady output of monotype prints direct from her drawings.
Work titles, each in an edition of 50:
Hurt Heart (2021)
Crying – Shouting – Screaming – Was Not going to help me Live (2021)
Life Will never be The Same (Nor should it) (2021)
Then I wasn’t Alone Life was here (2021)
Even Saying Nothing Is a Lie (2021)
And This was me A Thousand Years Ago (2021)
You were There – Thank you (2021)
A Feeling of Shock (2021)
No! This is sad (2021)
The Best Conversation I ever had – Laughter (2021)
Tracey Emin was born in 1963 in London. She shares her time between the South of France, London and Margate.
Emin has exhibited extensively including solo exhibitions at Château La Coste, Aix-en-Provence, France (2017); Leopold Museum, Vienna (2015); Museum of Contemporary Art, Miami (2013); Museo de Arte Latinoamericano de Buenos Aires (2012); Turner Contemporary, Margate, UK (2012); Hayward Gallery, London (2011); Kunstmuseum Bern (2009); Scottish National Gallery of Modern Art, Edinburgh (2008); Centro de Arte Contemporáneo, Malaga, Spain (2008); Art Gallery of New South Wales, Sydney (2003); and Stedelijk Museum, Amsterdam (2002). In 2007 Emin represented Great Britain at the 52nd Venice Biennale and her installation My Bed has been included in ‘In Focus’ displays at Tate Britain with Francis Bacon (2015), Tate Liverpool with William Blake and also at Turner Contemporary, Margate alongside JMW Turner (2017). In 2011, Emin was appointed Professor of Drawing at the Royal Academy of Arts, London, and in 2012 was made Commander of the Most Excellent Order of the British Empire for her contributions to the visual arts.