Hello and welcome to your exclusive preview of Tracey Emin’s suite of eight new lithographs 'These Feelings Were True'.

‘These Feelings Were True’ series of 8 new lithographs installed in Counter Editions Margate HQ, 2020
‘These Feelings Were True’ series of 8 new lithographs installed in Counter Editions Margate HQ, 2020 Tracey Emin, Over and Out (2020) Tracey Emin, Blue Madonna (2020) Tracey Emin, I couldn't tell anyone I loved you (2020) Tracey Emin, After The Shadows (2020) Tracey Emin, Four Thousand Years (2020) Tracey Emin, These Feelings Were True (2020) Tracey Emin, These Feelings Were True II (2020) Tracey Emin, Me - May 2019 (2020) ‘These Feelings Were True’ series of 8 new lithographs installed in Counter Editions Margate HQ, 2020 ‘These Feelings Were True’ series of 8 new lithographs installed in Counter Editions Margate HQ, 2020 ‘These Feelings Were True’ series of 8 new lithographs installed in Counter Editions Margate HQ, 2020 These Feelings Were True - Set of 8 Lithographs (2020) These Feelings Were True - Set of 8 Lithographs (2020) Tracey Emin: These Feelings Were True
Tracey Emin

These Feelings Were True - Set of 8 Lithographs (2020)

Each Print is an Edition of 50
Colour lithographs on Somerset Velvet Warm White 400gsm. Produced by Counter Studio, Margate.
Five prints sized 65.5 x 55.5 cm (25.8 x 21.9 in) / Three prints sized 55.5 x 45.5 cm (21.9 x 17.9 in)
Signed, numbered and dated by the artist
$125,000

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Counter Editions is pleased to announce a new series of eight self-portraits by Tracey Emin. These extraordinary, intimate explorations of the self were recently created by Tracey in our Margate studio.

Tracey Emin and Edvard Munch's major museum exhibition 'The Loneliness of The Soul' is now open at the Royal Academy of Arts in London until 28th February 2021.

The exhibition features more than 25 of Emin’s works including paintings, some of which will be on display for the first time, as well neons and sculpture. These works, which explore the loneliness of the soul, have been chosen by Emin to sit alongside a carefully considered selection of 19 oils and watercolours drawn from MUNCH’s rich collection and archives in Oslo, Norway.

This is an opportunity to see Emin’s work in a highly personal show. The selection reveals not only how Munch has been a constant inspiration – particularly through his profound portrayals of women – but also showcases Emin’s wide-ranging skills as an artist, which often interweave painting, drawing and writing.

Seen together, the dark territories and raw emotions that both artists navigate will emerge as a moving exploration of grief, loss and longing.

Work titles, each in an edition of 50:

Over and Out (2020)

Blue Madonna (2020)

I Couldn't Tell Anyone I Loved You (2020)

After The Shadow (2020)

Four Thousand Years (2020)

These Feelings Were True (2020)

These Feelings Were True II (2020)

Me May 2019 (2020)

 

Always at the centre of her own world, Tracey Emin uses all aspects of her life in her art, turning intimate autobiography into broader statements about sex, love, death, freedom and everyday life. Her work has taken the form of diaristic drawings, paintings, films, sculptures and written stories, all of which convey the same combination of frustration, pain, compassion and wit. Drawing and printmaking have remained key mediums for Emin, and over the last ten years she has produced a steady output of monotype prints direct from her drawings.

Tracey Emin was born in 1963 in London. She shares her time between the South of France, London and Margate.

Emin has exhibited extensively including solo exhibitions at Château La Coste, Aix-en-Provence, France (2017); Leopold Museum, Vienna (2015); Museum of Contemporary Art, Miami (2013); Museo de Arte Latinoamericano de Buenos Aires (2012); Turner Contemporary, Margate, UK (2012); Hayward Gallery, London (2011); Kunstmuseum Bern (2009); Scottish National Gallery of Modern Art, Edinburgh (2008); Centro de Arte Contemporáneo, Malaga, Spain (2008); Art Gallery of New South Wales, Sydney (2003); and Stedelijk Museum, Amsterdam (2002). In 2007 Emin represented Great Britain at the 52nd Venice Biennale and her installation My Bed has been included in ‘In Focus’ displays at Tate Britain with Francis Bacon (2015), Tate Liverpool with William Blake and also at Turner Contemporary, Margate alongside JMW Turner (2017). In 2011, Emin was appointed Professor of Drawing at the Royal Academy of Arts, London, and in 2012 was made Commander of the Most Excellent Order of the British Empire for her contributions to the visual arts.

Emin's lastest landmark exhibition at the Royal Academy of Arts (2020) sees masterpieces by Edvard Munch shown alongside her most recent paintings. These works, which explore the loneliness of the soul, have been chosen by Emin to sit alongside a carefully considered selection of 19 oils and watercolours drawn from MUNCH’s rich collection and archives in Oslo, Norway.