Edition of 400
0.8mm laser-cut stained-black plywood mounted on Heritage Conservation board
61 x 53 cm
Signed, numbered and dated on the mount by the artist.
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Drawing is a critical part of Rachel Whiteread's practice, with the artist describing it as being like "a diary" of her work. 'Ringmark', a specially commissioned edition to coincide with Whiteread's drawing retrospective at Tate Britain, is laser-cut from very fine plywood and is based on an ink drawing of a circular-patterned floor.
Rachel Whiteread creates elegant and poetic sculptures which explore architecture, space, absence and memory. Often inspired by the physicality of the human body, her works are poignant for their exploration of intimate domestic spaces and household objects. Typically her sculptures are casts of the negative space surrounding or within an object. She is also a prolific draughtsman and printmaker, her two-dimensional work shares the primary concerns of her sculptures: texture and surface; void and presence; and the subtle observation of human traces in everyday life.
More From This Artist
LOndOn 2O12 (2011)$5,600
50 Spaces (2021)$2,600
Herringbone Floor (2001)$5,600