Gridded Wall / Apocalypse Tree (2025) (No.14)
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Gridded Wall / Apocalypse Tree (2025) presents a solitary figure preparing to step out into a phosphorescent landscape which is dominated by a radiant, otherwordly tree. The tree itself is inspired by the 14th Century French Apocalypse Tapestry which has become a recurring reference in Cudahy's work. Cudahy added hand-applied embellishments to each print with coloured pencil - a medium he often uses to create incredibly detailed drawings.
Anthony Cudahy (b. 1986, Florida, US) weaves imagery culled from photo archives, art history, film stills, hagiographic icons and personal photographs to explore themes of queer identity and tenderness. His evocative figurative paintings and drawings are informed by extensive historical research. They negotiate feelings of loneliness, isolation, desire, and safety through the lens of the artist’s own autobiographical narratives and crafted mythologies.
Cudahy completed an MFA at Hunter College, New York, NY (US) in 2020 and is represented by GRIMM Gallery and Hales Gallery. Recent solo exhibitions include Spinneret at the Ogunquit Museum of American Art, ME (US) and Conversation, at the Musée des Beaux-Arts de Dole (FR). He has had solo exhibitions with GRIMM London (UK) and Amsterdam (NL), Hales Gallery, New York, NY (US), Semiose, Paris (FR), and 1969 Gallery, New York, NY (US), among others.
His work can be found in collections of the AkzoNobel Art Foundation, Amsterdam (NL); Baltimore Museum of Art, MD (US); Cantor Arts Center at Stanford University, CA (US); Dallas Museum of Art, TX (US); The David and Indrė Roberts Collection, London (UK); Green Family Art Foundation, Dallas, TX (US); The Hort Family Collection, New York, NY (US); Institute of Contemporary Art, Miami, FL (US); Kunstmuseum, The Hague (NL); Les Arts au Mur Artothèque de Pessac, Pessac (FR); Museum of Contemporary Art North Miami, FL (US); The New York Historical, New York (US); Speed Art Museum, Louisville, KY (US); and Stedelijk Museum, Amsterdam (NL).