David Shrigley Set (2018)

Set of 4 screenprints, each in an edition of 125
Each set comes in a paper wrapper
Paper size 76 x 56 cm (29.9 x 22 in)
Prints numbered, dated and signed by the artist on the reverse
$22,000
Delivery & Returns

US (3-5 days): typically $100 - $160

EU (3-5 days): typically $70 - $130

Standard UK (3-5 days): FREE

Shipping rate will be calculated at the checkout once you have entered your shipping address.

We use UPS to ship your order. This is a fully trackable secure service which requires a signature on delivery.

Prints will be flat packed in our specially designed packaging.

Share with a friend

Use the form below to send your friend(s) a personal message and a link to this item

* All form fields with asterisks are mandatory

We are pleased to launch four brand new prints made exclusively for Counter Editions. Shrigley's distinctive drawing style imbued with dry humour cuts to the point of human nature, making satirical comments on everyday situations and human interactions. Recurring themes pervade his story telling, capturing child-like views of the world; the perspective of aliens and monsters or the compulsive habits of an eavesdropper shouting out loud. His simple, verging-on-juvenile drawings annotated with his distinctive scrawling handwriting hold up a sardonic mirror which somehow generates flashes of profound clarity. This new set will be installed for public display at Sketch, London from early July as part of his ongoing solo show of 91 unique colourful works.

David Shrigley's hilarious and disturbing doodles, sculptures, and anecdotes depict the world as an absurd place. He embraces the paranoias, obsessions (stalking is a favourite theme), insecurities, moral conundrums, preoccupations, and anxieties of everyday life. Everyone is fair game for his humour, from the British Royal Family to his peers in the art world. From the childlike renderings and messy handwriting of his drawings to the spontaneous "public" projects documented in photographs and his playful sculptures, his work is anti-monumental and whimsical, but inherently sincere.