Violet Quartet (2025)
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Adeniyi-Jones' practice is inspired by the ancient history and mythology of West Africa and his Yoruba heritage. Invoking the ritualised repetition integral to ceremonial processes, Violet Quartet (2025) presents a group of bodies emerging and dispersing into tessellating shapes and interlocking swathes of colour.
Tunji Adeniyi-Jones was born in London in 1992 and lives and works in Brooklyn, New York. In 2014 he received his Bachelor's in fine arts from The Ruskin School of Art, Oxford University, UK and in 2017 he was awarded an MFA in painting and printmaking from Yale School of Art, Connecticut, USA.
Recent solo exhibitions include ‘Deep Dive’, White Cube Hong Kong (2023); ‘Spotlight’, FLAG Art Foundation, New York (2023); ‘Tranquil Dive’, Morán Morán, Mexico City (2023); ‘Emergent Properties’, Nicelle Beauchene Gallery, New York (2022); ‘Voix Intérieures’, White Cube, Paris (2022); ‘Astral Reflections’, Charleston, East Sussex, UK (2021); ‘That Which Binds Us’, White Cube, Bermondsey, London (2021), ‘Melodic Virtues’, Morán Morán, Los Angeles (2021); 39 Great Jones Street, New York (2020); ‘Patterns and Rituals’, Nicelle Beauchene Gallery, New York (2020); ‘Dreams Through Seasons: New Paintings’, The Cabin, Los Angeles (2018); and ‘Flash of the Spirit’, Nicelle Beauchene Gallery, New York (2017).