Hello and welcome to your exclusive preview of Tracey Emin’s suite of eight new lithographs 'These Feelings Were True'.

Katherine Bernhardt, Swimmers (2022)
Katherine Bernhardt, Swimmers (2022) Signed, numbered and dated by the artist Install image of Greenpeace 50 Years Print Portfolio (2022)
Katherine Bernhardt

Swimmers (2022)

Edition of 175
6 Colour lithograph on Somerset Velvet White 300gsm. Printed by Counter Studio.
60 x 76 cm (23.6 x 29.9 in)
Signed, titled and dated by the artist

A third of profits from the sale of each print will be donated to Greenpeace.
$3,400
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Katherine Bernhardt, along with seven other leading international artists, were asked to create a print to celebrate Greenpeace's 50th anniversary. A third of the profits from the sale of each print will be donated to Greenpeace.

Available individually or as part of a boxset. View individual editions here. View boxset here.

Katherine Bernhardt’s ‘Swimmers’ (2022) showcases some of the artist’s trademark bold colours and motifs; toilet rolls and shark fins, swimming through a dreamy effervescent blue background. Responding to the Greenpeace 50 Years campaign, this limited edition print touches on environmental hazards which are a recurring concern in Bernhardt’s work.

Represented by the influential David Zwirner, Katherine Bernhardt is a key player in New York's contemporary painting scene. She's collaborated with hip-hop superstar Drake, painted a swimming pool in Miami, created a public mural in LA, and runs her own Moroccan carpet import business. Bernhardt's recent solo shows include the Modern Art Museum of Fort Worth, Contemporary Art Museum St. Louis, Lever House New York as well as European solo exhibitions at Xavier Hufkens, Brussels and Carl Freedman, London and Margate. Bernhardt was born in St Louis, Missouri, in 1975. She lives and works in St Louis, Missouri.

As well as this her work has also been included in significant group exhibitions, such as We Fight to Build a Free World: An Exhibition by Jonathan Horowitz, Jewish Museum, New York (2020); Animal Farm, an exhibition curated by Sadie Laska at the Brant Foundation Art Study Center, Greenwich, Connecticut (2017); NO MAN’S LAND: Women Artists from the Rubell Family Collection, Rubell Museum, Miami, which traveled to the National Museum of Women in the Arts, Washington, DC (2015-2017); and Bad Touch, Ukrainian Institute of Modern Art, Chicago (2002). 

Work by the artist is found in prominent public and museum collections, including the Brant Foundation Art Study Center, Greenwich, Connecticut; Carnegie Museum of Art, Pittsburgh; Fondazione Sandretto Re Rebaudengo, Turin, Italy; High Museum of Art, Atlanta; Hirshhorn Museum and Sculpture Garden, Washington, DC; Knoxville Museum of Art, Tennessee; Portland Museum of Art, Maine; Rubell Museum, Miami; and San Antonio Museum of Art, Texas.