This screen print on cotton has a fabric flower sewn on, with its stem made up of a hand stiched line. It is a strange, enigmatic scene, with the female figure holding a round shape whilst looking towards another round object. Emin desribes this scene as one of 'My endless imagining new life, faced with the question of how that might ever be.'
Always at the centre of her own world, Tracey Emin uses all aspects of her life in her art, turning intimate autobiography into broader statements about sex, love, death, freedom and everyday life. Her work has taken the form of diaristic drawings, paintings, films, sculptures and written stories, all of which convey the same combination of frustration, pain, compassion and wit. Drawing and printmaking have remained key mediums for Emin, and over the last ten years she has produced a steady output of monotype prints direct from her drawings.